From the Easel Wess Foreman From the Easel Wess Foreman

Homestead

I finished this piece basically in one extended painting session, recreating a piece I’d done back in 2005 (wow, that’s almost 20 years ago!). The original was smaller and not as wide as this one. I’ve included a couple of zoomed in detail shots below.

Homestead, 30x57”, $2000

detail

detail

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First three paintings of 2024

Last year, art sales were a struggle. I had a few successful shows early on, but then sales dwindled in the second half of the year, and I became unmotivated and stopped painting for months—too long really.

But it’s a new year, and I’m back and excited about creating new paintings and rekindling my creativity—I’ve already got a few ideas I’d like to explore in that regard. I am ready to getting back out into the world of art sales, starting with a return to the New Orleans art markets this year (starting January 27th at Marsalis Harmony Park).

That aside, and fresh off the easel, here are the first three paintings of the new year! Let me know if you’re interested. More to come.

Egret with Halo, 36x24”, $1000

Energetic Landscape #7, 18x24”, $500

Live Oak on the Lake, 24x18”, $500

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From the air

This is a reworking of an older painting that never really made it out of the studio for art shows (this often happens when I’m just not confident in the finished piece; it gets left behind). Using a pallet knife, I added texture and gave it a more vital essence, if you’ll excuse the artsy platitude. I like the resulting painting and I will be bringing it to my next art show!

Aerial Landscape, 24x30”, $600

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Sunflower Field, triptych

Add a touch of nature's radiance to your living space! The total size of this original triptych painting is three feet tall by six feet wide. Its scale allows it to become a captivating focal point, commanding attention and infusing any room with life. Whether placed in a living room, kitchen, or bedroom, this stunning sunflower painting will breathe new life into your home, instantly uplifting the ambiance and filling the space with joy.

Sunflower Field triptych, 3 - 36x24”, $3200

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Nautical

One of my larger paintings, this three feet by six feet piece would be a beautiful addition to a beach house or as a centerpiece to a family/living room. I’ve always enjoyed tackling larger canvases—something freeing about having more space to work with. The airy atmosphere of this one is satisfying to me, as are the little sails on the horizon . . . also: what life-choices is that guy on the bow of the ship contemplating?

Contact me if interested!

Nautical, 36x72”, SOLD

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Lake Arthur, polyptych

Polyptych is a word I just learned—it’s defined as “a painting or other two-dimensional artwork made up of more than three panels.” I had originally painted these four 10x8” paintings back in 2015. They were hard to show anywhere since they needed to be displayed side-by-side in a specific order and so they often remained home in my studio where they’ve been accumulating dust for the last eight years. Anyway, I finally wised up and cleaned the canvases up, mounted them on a Masonite backing, and framed the whole collection in a simple frame.

Lake Arthur, polyptych, 13x36”, SOLD

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Captive Audience, diptych

Here’s a series I return to from time to time to hone my skills at color balancing and intuitive painting. I like the painting process and I like the look of the resulting painting. (video posted below)

Captive Audience, diptych, 2-24x24”, $1000

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Balcony, Downtown Covington

Started this painting 'en plein air', during an art market last year. Finally got around to putting the finishing touches on it. I like the flat, abstract planes and surreal, electric-blue shadows.

Balcony, Downtown Covington, 30x24", $800

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Migrating Geese

Painting process video below.

Migrating Geese, diptych, 20x20” + 16x20”, SOLD

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Frenchie is Bored

I had originally intended to paint this in a more realistic manner, but once I sketched out the basic shapes in black paint (see the painting process video below), I found an immediate love for the look of the piece. This happens from time to time: plans change mid-painting based on the painting process itself. Ideas spring forth and develop over time, sometimes resulting in a different direction entirely. I do like the result—it’s a little cartoony, but I have no problem with that! A lovely, medium-size painting.

Note: sorry for the grainy photo . . . the painting looks much better in person.

Frenchie is Bored, 20x20”, $500

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