From the Easel Wess Foreman From the Easel Wess Foreman

sunset with clouds

Painted with pallet knife on Masonite hardboard.

Sunset with Clouds, 8x10", SOLD

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From the Easel Wess Foreman From the Easel Wess Foreman

caught in the majesty

Another pallet knife painting with majestic clouds.

Caught in the Majesty, 8x14", SOLD

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From the Easel Wess Foreman From the Easel Wess Foreman

a bend in the river #4

Maybe I should start a pallet knife series. I like pushing paint with a pallet knife, just don't do it enough. This one is another "bend in the river" painting---accomplished with pallet knife of course.

A Bend in the River #4, 16x16", SOLD

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From the Easel Wess Foreman From the Easel Wess Foreman

sailing the last light

Another sailboat painting. They always get attention from sailboat enthusiasts, but I don't always have them on hand.

Sailing the Last Light, 16x16", $200 (no. 1011)

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From the Easel Wess Foreman From the Easel Wess Foreman

NOLA City Park Bridge

With this large painting I was going for lots of texture [if that's not clear from seeing the image itself]. I achieved this effect with layers of paint applied with brush, with textured roller, with pallet knife, and with splashes and drips of paint. I gave a little relief to this texture onslaught with a wash of white in the center above and below the bridge---this little change helps to push this area to the background and helps the bridge stand on it's own in the foreground.

NOLA City Park Bridge, 44.5x47"

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From the Easel Wess Foreman From the Easel Wess Foreman

the river on a cloudy day

A quick painting with some pallet knife work. Painted on Masonite hardboard.

The River on a Cloudy Day, 16x18", $200

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From the Easel Wess Foreman From the Easel Wess Foreman

fairy dust

This one started as two head-and-shoulders portraits---didn't like it so I scrapped the one on the right and put in a simple background of trees; then the fairies took over and the painting took on a life of its own. Now I've got this high-fantasy painting with a hint of anime styling to the large-eyed face and a painting that doesn't fit with the rest of my work, in terms of subject matter.

Anyway, if you know anyone who would love this painting, let them know I've got it for sale---and tell them to ask for a better price, you never know with artists and it doesn't hurt to ask . . . .

Fairy Dust, 24x30", $300

Here's a detail of the face. Maybe I should do a series of small paintings of faces---that would be fun---look for it soon! That is all.

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From the Easel Wess Foreman From the Easel Wess Foreman

dapper man

Wanted another figure painting to pair with the Portrait of Mrs. White painting. I was initially going to make the entire coat out of newspaper but after applying the left side, I liked it better this way. He is supposed to be a Victorian-era gentleman but I think this could be from any era up to current times. Perhaps I should have added the dead-give-away oversize mustachio . . .

Dapper Man, 24x18", $300

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From the Easel Wess Foreman From the Easel Wess Foreman

coffee and beignets #6

I've done a number of coffee paintings and a number of them with beignets, and I don't know exactly how many. Anyway, I'm calling this one #6, though maybe I should give it a more memorable name. "Breakfast at the Cafe" or "Intellectual Stimulus" or "A Cup of Joe and a Plate of Pastries". I dunno.

Coffee & Beignets #6, 16x16", $250

Coffee & Beignets #6, 16x16", $250

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orange lantern

This was a quick study of an orange lantern with a white pillar candle. This lantern was hanging outside on our patio and I couldn't resist painting it.

Orange Lantern, 14x11", $75

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wish tree

Several things are glued into this painting---a seed packet for sunflowers, a price tag, a bit of string, and four or five pieces of aluminum foil---making this a mixed media piece. This one, like many others, started its life as a different painting altogether---a painting not quite ready to be painted, perhaps. I had the idea of painting a simple tree shape, trunk and branches, and then I started adding the stars [for some reason]. The blue sky was too blue, so I went in strong with white latex house paint which, being of a thinner consistency, began to drip down the painting---this looked fine to me, so I continued to let it drip and dawdle down the painting. I left the bottom part alone until a dark shape near the trunk appeared to me to be a person kneeling (I had already named the painting "Wish Tree", so a person kneeling, making a wish, seemed to fit).

From Wikipedia: "A wish tree is an individual tree, usually distinguished by species, position or appearance, which is used as an object of wishes and offerings. Such trees are identified as possessing a special religious or spiritual value. By tradition, believers make votive offerings in order to gain from that nature spirit, saint or goddess fulfillment of a wish."

Wish Tree, 30x24"

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From the Easel Wess Foreman From the Easel Wess Foreman

a deep sleep

Another gender-nonspecific portrait done in a primitive style---I don't know, but I like it.

A Deep Sleep, 14x11", SOLD

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From the Easel Wess Foreman From the Easel Wess Foreman

portrait of mrs white -- 2

I spent a long time changing the color of the hat, having already deciding on the yellow/orange background with the peach/violet face---for some reason the hat color gave me fits---then I decided to break out the newspaper. So now it's a mixed media piece. Acrylic and old media.

Portrait of Mrs. White #2, 16x14"

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From the Easel Wess Foreman From the Easel Wess Foreman

backyard with orange umbrella

The strongest part of this painting is the expressive energy; it's fresh and untamed and honest. The weakest part of this painting is the weak title I gave it---what!? If a better title springs to mind, post it in the comments. I might rename this one. That is all.

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