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Captive Audience #15

Captive Audience #15, 25x40", $700

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Coffee Break, diptych

Coffee Break, diptych, 2-40x25", SOLD

This (These?) would make a nice backdrop/focal-point to a cafe, bakery, or home kitchen. I started with the right canvas--two coffee cups and saucers--keeping the style quick and loose, and soon realized I could continue the yellow table top onto a second canvas (which I happened to have on hand).

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White Knight Black Pawn

White Knight Black Pawn, 8x10"This one is basically finished--I will probably add a touch more shadow to the background especially behind the knight's head to give it more contrast there. Also I haven't signed it. Also I will probably find a good frame for it before calling in finished.

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Boiled Shrimp and Lemon, framed

boiled shrimp, framed, 5x7", $75lemon, framed, 5x7", $75

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Various Small Paintings

various small paintings

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Captive Audience #14

Captive Audience #14, 12x12", $100

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Landscape with Trees, diptych

This one was envisioned, roughed in, and finished in rapid succession and took about three hours, all told, to complete. I started with a single canvas and then, realizing I had another canvas of the same size [and more landscape to explore], I decided to continue with the same image, spanning it across the two large canvases, each measuring 30x48". The landscape is an imagined one but I wouldn't be surprised to see a similar scene among the savannahs of Africa perhaps.

Landscape with Trees, diptych, 2-30x48", $1000

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Cardinal in Silhouette

Cardinal in Silhouette, 9x18" $100

This was a quick painting from a photo I took a few weeks ago right outside my studio window (though it looks more like a winter shot with the bare sky behind the little fellow). I left the paint a bit thin in the painting process and left some of the charcoal sketch to show through, and the result almost looks like watercolor on canvas--or more correctly, gouache on canvas. I don't normally go high-key with my paintings, but this one works fine for me.

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Killer

Killer, 24x30" $400

Starting to edge back into painting after a bit of a vacation. This one turned out well I think. It was a little flat for the longest time while I was working on it, then when I added the hints of blue in the dog's fur that seemed to set it off nicely (though the blue is not quite as pronounced in the painting as it appears here--at least not as I view it on my computer . . . always a struggle to get color looking just right when posting digitally). The title "Killer" just came to me looking at the intense pose and stare of the dog (humorously counterbalanced by the dog's size, of course, but don't tell Killer that). Thanks for viewing!

As always, click the image for a larger view.

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Congregation of Egrets #2, 20x20" $300Back Field, 24x30" $400

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Congregation of Egrets

I like this one. I will probably be doing a series along these lines.
You know . . . groups of egrets in the landscape . . . whatevs.

Congregation of Egrets, 20x20" $300

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Five Minute Sketch

5 Min. Self-Portrait in ink

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Egret Stepping Up

Egret Stepping Up, 48x30" $800

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Millions of People

Millions of People, 11x28" $200

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Lighting up the Dark

Lighting up the Dark, 24x30" $400

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Artist Reception at Piece'a Work

This Thursday, May 12th from 6pm to 9pm there will be an artist reception at Piece'a Work in New Orleans. I will be there with most of my artwork, and I might try a little live painting while I'm there. Free admission. Stop by. Buy a painting or two. Come on, you know you want to.

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Spring Mosaic

I am drawn to this style of painting -- big, playful, colorful, abstract. Sure it's one of my own paintings --granted -- but I enjoy looking at this piece just as much as I enjoyed composing it. I know some people find abstract painting frustrating and perhaps allowing my abstract paintings to mingle [haphazardly] with my more realistic works is off-putting to some, but it is a tendency I cannot abstain from. It is the artist in me. The untethered creative in me. I am, after all, a composer of paint, of shape and line and color and texture. I am artist.

Spring Mosaic, 48x54"

I am drawn to this style of painting, yes, but it does not come naturally to me. Abstract painting, while easily achieved by adventurous four-year-olds the world over, is something that must be learned -- speaking now of good abstract painting, of course, paintings with hopefully more artistic merit and sophistication than early refrigerator art. One must learn the principles of art and design and then learn how to bend and break the rules -- that's where individual style comes from perhaps. Breaking the rules . . . your way. So, anyway, I've learned the rules and I've learned to break the rules, but it's still a piece of art. So the challenge is still there, and perfection is still the unattainable goal.

And this one? This one is pretty good, I think. And it's much better in person, of course -- much more impressive. (click the image to see a larger version)

Update

on 2011-05-02 14:20 by wessf

By the way, I might make minor changes before applying magic gloss varnish/finish. I'm gonna look at the painting some more first.

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Big White Boat

Big White Boat, 30x24", $400

Forgive me, I don't know what kind of boat this is and my Google powers don't work on Mondays. This was one of the paintings I did onsite during the Madisonville Art Market while my wife watched the booth. I joked with the owners of the boat that I was about to take a break and then realized the boat I was painting could leave at any moment so continued painting to get as much detail as I could. Later, the boat did leave before I could get a lot of the rigging details and whatnot on canvas, turning my jest into a serious concern. But I got most of it right and finished the painting moments ago here at home.

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Duck!

Duck, 16x16", $200

Painted this duck (female mallard?) from a reference photo in just under an hour. Total. To be sure this is one of my quickest "times," if we're keeping score, but still . . . that's pretty fast right?! This is painted on a somewhat heavy masonite-on-one-and-a-half-inch-wood-backing-board. I do like painting on smooth hard surfaces like this because of how the paint sits up on it -- I realize now that it's hard to explain the difference -- though the same effect happens once a canvas has been painted over several times.

Anyway, I like how this painting turned out. I'm sure it'll sale quickly. [pound for pound, it's priced to sell]

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Sailboat on the Tchefuncta

Sailboat on the Tchefuncta, 30x24", $400

At the Madisonville Art Market last Saturday, I spent much of the day painting. This is one of those paintings. That's pretty much the story on this one. The end.

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