creativity by wess
Posted on by Wess Foreman
This one was just going to be a quick "sketch" with my paints this morning, then it turned into something more finished. It went through many phases in the process---it initially had a figure in the foreground feeding the gulls, for instance---and I'm happy with the result.
A Squabble of Seagulls, 14x7", $75
Posted on by Wess Foreman
This is an image I've painted twice before in smaller sizes. I like the melancholy feel this one has---the drips of paint only adding to the effect.
low River #3, 30x40", SOLD
Posted on by Wess Foreman
I enjoy mixed media. I should do this more often. This one is acrylic on newspaper on canvas and features a Beetle Bailey cartoon, among others.
Morning Cup, 14x11", $100
Posted on by Wess Foreman
I don't know. I was in a certain mood at the time and I simply needed to show the entire word: "mustard." Besides, if I had painted it as I saw it, I would have to rename the painting, "musta," wouldn't I?
At any rate, though I couldn't bring myself to share the painting for several months, I also couldn't bring myself to paint over it. So it remains. Mustard.
Mustard, 14x11"
Posted on by Wess Foreman
This is a commission I painted a few months ago. I took photos along the way and thought I'd share a bit of my painting process for you here.
First off, the reference photo. Here's the photo I was working with. Ideally, the photo should encapsulate the basic layout of the painting itself. Photography after all is an artistic pursuit in its own right. This photo was taken in landscape but I want a portrait-oriented canvas---not so bad as this was the only major change I needed to make.
I usually don't make a drawing before starting in with the paint. Here my main goal is to cover the canvas with paint---I am trying to capture the placement of the subject but only roughly [and knowing I will be changing and perfecting anything I paint at this stage].
Once the shapes are roughed out and the canvas is covered with paint, I start the process of reshaping the form into something more akin to the photo. The client wanted a nondescript background with vibrant reds and yellows, so I laid it on thick, adding dramatic lighting by suggesting shadows on the ground [notice, there are actually little if any indications of a light source on the dog's body itself---if I wanted a more realistic representation, I would definitely address this issue perhaps by retaking reference photos with a light source coming from the left].
I usually do not like to leave dead spots in my paintings---places where there is a single unvaried color---notice how the white of the chest and the tan of the back are both mottled with gray, indicating fur and making those areas more interesting. And of course, the background is a mishmash of undulating color.
I am pleased with the final painting, though it took a bit of time toward the final stages getting the details right. I focus most of my attention in the later stages on the face, since this is the focal point of the painting and the focal point is where most of the details should reside. Other important parts of the painting---the carefully attenuated feet and the dramatic shadows beneath those feet---make the entire surface of the painting important to the viewer. The eye moves from the focal point to the interesting background, to the feet and shadows, then return to the features of the face.
Posted on by Wess Foreman
Finished painting, photographing, and posting this one with 36 minutes left in the day---close one (I did say I'd try and post something every day, didn't I). We spent the day at the zoo today, the wife, the kid and I. We had a blast.
Creole Tomato, 16x20", $250
Posted on by Wess Foreman
It's not much different---it might even seem less impressive---but this new site will allow for much needed features including better handling of mobile devices and (eventually) a place to purchase paintings and prints, among other improvements. The old content is mostly still available, though many of the links may have become mangled in the process of moving.
In conjunction with this new site, I intend to start posting something here everyday. This will not necessarily be a painting a day but will include sketches and photos and hopefully more content beyond just the newest painting. Perhaps a few videos from time to time.
Don't worry, one of the first things I'll be adding back is a new gallery. I just wanted to get the site up and running first.
All that being said, thanks for stopping by and don't be a stranger!
Posted on by Wess Foreman
Motorboat, framed, 16x20", $275Looks even better in the conservative black and gold wooden frame I have it in. The location of the waterway in the painting, if it matters, is the Tchefuncta River in Madisonville. If it looks like someplace else, you're also right, I'm sure.
Posted on by Wess Foreman
I've been working on a couple of commissions---both of them nearly finished---so I haven't had time to post new paintings every day like I had hoped. Figured I'd post a note today telling you this in case you were worried. I see now that you had every confidence in me and were simply waiting patiently by, perhaps in anticipation of whatever new works of art would soon appear in this space. This might happen as soon as tomorrow---maybe tonight; I do have a landscape sitting here nearly complete . . .
More soon. Thanks.
wess foreman, artist
Posted on by Wess Foreman
Step by Step, 14x11", $100I've done this image before. This time it's painted with more zing!
Posted on by Wess Foreman
Meritime Abstract, framed, 11.5x11.5", $120When I paint, I have a length of canvas covering my work area and I use this to wipe excess paint and water off my brushes. I get some interesting color combinations from time to time, and every now and then I turn them into paintings. This "meritime abstract" came about in just this way. I basically did nothing to it except kept myself from painting over the spontaneous seascape that occurred, then cropped it to fit a Goodwill frame I ran across recently. It is framed under glass.
Posted on by Wess Foreman
Old Shed, 22x28", $300This is a refresh of a painting I did not too long ago. Added more of the "color stippling" (which isn't technically stippling, but as far as I know doesn't have a name . . . other than polka-dots, but that doesn't exactly apply). Anyway, I like the painting better now.
Posted on by Wess Foreman
Atchafalaya #2, 24x30", N/A This one was commissioned by someone this week. It is a larger version of the 8x10" painting I did years ago. I like the way it turned out and I'm so glad someone got me to paint this one again. (could be more like it in the future)
Posted on by Wess Foreman
Just a quick sketch with my new travel pen/brush hybrid. As you can probably tell by this sketch, the pen/brush doesn't "do" details. It has a fairly thick point. That said, it's fun to use. Here it is on amazon, if you're interested: link.
