creativity by wess
Posted on by Wess Foreman
I was pleased with the first painting I did from this reference photo years ago and liking the image so much I decided to return to it. This time it's framed more horizontally which puts more emphasis on the center of interest which is nice, and after comparing the two, this one turned out much more realistic than I thought it would (and now I like this one better). I added the strawberries from my head last minute (thinking, I could simply paint over them again if they didn't work) and this addition has turned out to be one of the best parts of the painting for me. All in all, a success!
Posted on by Wess Foreman
This one was painted from a photo of my wife and son when he was still a toddler (obviously, the kid in the painting came out older looking and my wife came out much more androgynous--no offense to either, I wasn't concerned with perfection here). What I was aiming for (and didn't quite hit) was the kind of abstraction which is in part representational--meaning the two figures aren't unique individuals but merely represent the ages they are and the relationship they are displaying--and in part a kind of street art where there is an underlying sophistication to the peice which belies the otherwise primitive or somehow unfinished techniques involved (in other words, to be a finished peice of artwork while looking messy).
I think the main thing holding this painting back is the framing of the two figures. If they were positioned more in the center of the canvas (a little to the right and a little higher in otherwords), that would help, I think. Along with some more tweaking (like maybe lightening the sky in the background to add more interest), this painting could get to where I'd like it to be. So, I might just spend a little more time on this one.
Posted on by Wess Foreman
Bowl of Fruit, 11x14", $140 (framed)
I started this one last Sunday when I was leading a small art class. I liked the simplicity of the original 'sketch' so much I kept it that way as I finished it yesterday, adding very little detail except for the hint of a table and the highlights and shadows. It looks great in this simple black five-inch frame I had at home. I wonder if the wife will notice that the painting I had in that frame is now gone (and that the frame itself is MIA, for that matter).
I used the frame I was going to use on another painting, so for now I'm selling this one unframed ($100).
This one is sold.
Posted on by Wess Foreman
This month, on the Wess Foreman painting circuit . . . .
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Posted on by Wess Foreman
Coffee Break, diptych, 2-40x25", SOLD
This (These?) would make a nice backdrop/focal-point to a cafe, bakery, or home kitchen. I started with the right canvas--two coffee cups and saucers--keeping the style quick and loose, and soon realized I could continue the yellow table top onto a second canvas (which I happened to have on hand).
This one is sold.
Posted on by Wess Foreman
White Knight Black Pawn, 8x10"This one is basically finished--I will probably add a touch more shadow to the background especially behind the knight's head to give it more contrast there. Also I haven't signed it. Also I will probably find a good frame for it before calling in finished.
This one is sold.
Posted on by Wess Foreman
This one was envisioned, roughed in, and finished in rapid succession and took about three hours, all told, to complete. I started with a single canvas and then, realizing I had another canvas of the same size [and more landscape to explore], I decided to continue with the same image, spanning it across the two large canvases, each measuring 30x48". The landscape is an imagined one but I wouldn't be surprised to see a similar scene among the savannahs of Africa perhaps.
Posted on by Wess Foreman
Cardinal in Silhouette, 9x18" $100
This was a quick painting from a photo I took a few weeks ago right outside my studio window (though it looks more like a winter shot with the bare sky behind the little fellow). I left the paint a bit thin in the painting process and left some of the charcoal sketch to show through, and the result almost looks like watercolor on canvas--or more correctly, gouache on canvas. I don't normally go high-key with my paintings, but this one works fine for me.
This one is sold.
Posted on by Wess Foreman
Starting to edge back into painting after a bit of a vacation. This one turned out well I think. It was a little flat for the longest time while I was working on it, then when I added the hints of blue in the dog's fur that seemed to set it off nicely (though the blue is not quite as pronounced in the painting as it appears here--at least not as I view it on my computer . . . always a struggle to get color looking just right when posting digitally). The title "Killer" just came to me looking at the intense pose and stare of the dog (humorously counterbalanced by the dog's size, of course, but don't tell Killer that). Thanks for viewing!
As always, click the image for a larger view.