creativity by wess
Posted on by Wess Foreman
As a working artist, I should be sppending more time working in my sketchbook. It's just never been a consistent part of my routine. This is a simple contour drawing I did yesterday of a pinecone---ten minutes of peaceful observation as I let my hands articulate on paper what my eyes measured before them---and the meditative attentiveness alone was worth my time. Not to mention the brief bit of what one might call "spatial practice" that I got out of it.
Posted on by Wess Foreman
One of my first batch of paintings of the new year (I've gotten off to a slow start, yes). This is a simple generic landscape that could be found in any part of the country that is flat---but I figure it's somewhere in south central Louisiana where flatland abounds (you have to hike beyond the treelines of the interstates and beyond the houses and barns and streetlights where all the people live, but it's out there . . . and it's beautiful).
Posted on by Wess Foreman
I've got a few paintings hanging now at the new Red Dot Gallery in downtown Ponchatoula -- below is a video of the owner, Nancy Perilloux, talking about the gallery.
Come for the grand opening reception of the Red Dot Gallery on Friday, February 3rd, from 5pm to 9pm.
Posted on by Wess Foreman
I was pleased with the first painting I did from this reference photo years ago and liking the image so much I decided to return to it. This time it's framed more horizontally which puts more emphasis on the center of interest which is nice, and after comparing the two, this one turned out much more realistic than I thought it would (and now I like this one better). I added the strawberries from my head last minute (thinking, I could simply paint over them again if they didn't work) and this addition has turned out to be one of the best parts of the painting for me. All in all, a success!
Posted on by Wess Foreman
This one was painted from a photo of my wife and son when he was still a toddler (obviously, the kid in the painting came out older looking and my wife came out much more androgynous--no offense to either, I wasn't concerned with perfection here). What I was aiming for (and didn't quite hit) was the kind of abstraction which is in part representational--meaning the two figures aren't unique individuals but merely represent the ages they are and the relationship they are displaying--and in part a kind of street art where there is an underlying sophistication to the peice which belies the otherwise primitive or somehow unfinished techniques involved (in other words, to be a finished peice of artwork while looking messy).
I think the main thing holding this painting back is the framing of the two figures. If they were positioned more in the center of the canvas (a little to the right and a little higher in otherwords), that would help, I think. Along with some more tweaking (like maybe lightening the sky in the background to add more interest), this painting could get to where I'd like it to be. So, I might just spend a little more time on this one.
Posted on by Wess Foreman
I started this one last Sunday when I was leading a small art class. I liked the simplicity of the original 'sketch' so much I kept it that way as I finished it yesterday, adding very little detail except for the hint of a table and the highlights and shadows. It looks great in this simple black five-inch frame I had at home. I wonder if the wife will notice that the painting I had in that frame is now gone (and that the frame itself is MIA, for that matter).
I used the frame I was going to use on another painting, so for now I'm selling this one unframed ($100).
This one is sold.
Posted on by Wess Foreman
This month, on the Wess Foreman painting circuit . . . .
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Posted on by Wess Foreman
This (These?) would make a nice backdrop/focal-point to a cafe, bakery, or home kitchen. I started with the right canvas--two coffee cups and saucers--keeping the style quick and loose, and soon realized I could continue the yellow table top onto a second canvas (which I happened to have on hand).
This one is sold.