creativity by wess
Posted on by Wess Foreman
I spent a good deal of time on this one---I don't know exactly how long, maybe eight or nine hours all told, over the last couple days---and the style and particulars of the landscape changed drastically as the painting process went on. I should have taken photos along the way but I was too busy painting.
Returning to a large painting after so many small ones---and an abstract after so many "normals"---I found myself re-exploring the process all over again. Trying out new color patterns, changing the way the shadows fell across the hills and the lightness of the sky, etc. All these infinite possibilities and only a finite few could ultimately be chosen. And the final product (I think it's final, anyway) is pleasing to me, though I'll probably hang it in the living room awhile to see if anything wants to be changed.
The piece is painted on canvas and mounted on heavy-duty, two-and-a-fourth-inch stretcher bars with black-painted sides and would look great as a centerpiece in a large family room.
The only thing I'm not so thrilled about is its lack of name. Please leave any suggestions for a name in the comments! And, as always, click the photo for a larger view. Thanks.
Posted on by Wess Foreman
My painting-a-day series this month was interrupted by the New Orleans Arts Market in Palmer Park, which zapped all my time that day (Saturday) and zapped all my energy for the next day (Sunday)---then, my family made a last minute decision to take a mini-vacation to New Orleans which ran through Monday---so, that happened and now I'm back to make up for missed days.
Here's a little lemon painting. I'll call this one Saturday's painting, and I'll probably post another later today to make up for lost days. More to come!
Posted on by Wess Foreman
I repainted the background a couple of times, and this one turned out the best so I stopped messing with it and called it good. But I'm still not a hundred percent in love with the background as it stands---it's not a deal-breaker; the painting isn't about the background afterall. Someday I might cut this panel down to a smaller size, removing some on the top and a bit on the left. That would make it an odd size panel, but it might improve the overall piece, focusing the attention where it belongs, on the tomatoes. Until then, I'm all right with it.
Posted on by Wess Foreman
Most of my paintings are derived from photographs, at least initially. This makes it easy to return to old favorites when I have no idea what else to paint. So it was with this painting. This isn't cheating, but it does fly in the face of the idea of this painting-a-day project---just in the sense that this should be an excercise in trying out new things, new ideas, and specifically painting more from real-life [not that this was ever the goal---there really are no rules here].
All that to say, I like this little painting all right. It's pretty cool. Another painting tomorrow!
Posted on by Wess Foreman
This is a series I return to from time to time. It has its fans as well as its confused on-lookers. Some can't seem to make heads or tails of these Captive Audience paintings---I've heard some call them bottles and some call them cupcakes---but they were just meant to be a grouping of faceless people, a crowd. I see them as a crowd anyway. I don't mind what you see in them. As always, click the image to see a larger version.
Posted on by Wess Foreman
I've painted American flags in the past, but this is the smallest version(s). Actually I painted two paintings at the same time, in the same style and size. I didn't find it necessary to post pictures of both, they are visually close enough that one photo will suffice, I think. If you're interested in purchasing both, I'll give you a deal and call it $70 for both.