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New Site Design

Posted on by Wess Foreman

geese sketchOnce again, I've redesigned the website. I think it's alright . . . haven't double-checked it with Internet Explorer, but it's working with Firefox (let me know if something doesn't work for you).

I've had this idea for a while of making my main website the blog, instead of just a static landing page. Anyway, it simplifies things for me.

It's been a while since my last post (a full month), but, sadly, not much has happened since then. The weather has been typical Louisiana summer fare: hot and humid with the occasional thunderstorm. So I made the decision to skip the June and August Northshore Art Markets (the August one is this Saturday). I plan on returning to the Art Market in October, unless something changes (then by definition . . .), and I'm also considering the Madisonville art market in September.

Skipping these venues has left something of a vacancy in the commissions I normally take on - at least I think that's what is to blame - and, as such, I've found it difficult to get back into my normal painting rhythm. [side thought: why is it that when business is going slow for me, everyone feels the need to ask me, "so, how's the painting going?"!?!]

In the meantime, I have gotten some painting done and have made it up to the Ponchatoula Furniture Gallery to change out some paintings. I spent some time there making some changes to a commissioned landscape. It was fun painting somewhere different and painting in "public", and there was talk about me and artist Bill Hemmerling doing a painting demonstration sometime in the future [I'll let you know if that happens].

Well, that's all I can come up with right now. Back to the easel for me. Let me know what you think of the new look, and if you have any suggestions. Thanks.

Back From Vacation

Posted on by Wess Foreman

Took my new sketchbook and drawing pens with me to Lake Arthur [Louisiana] for the week. Did not sketch as much as I would have liked, but I did enjoy the time I did have. Here are a few from the sketchbook (click to get a larger view).

Treeline

Posted on by Wess Foreman

This one is a study of the tree line I see from my studio window - I toyed with the idea of adding some kind of center of interest in the foreground, but I couldn't make a decision so: here is where it remained.

Added New Functionality

Posted on by Wess Foreman

In hopes of expanding this blog's functionality and cool-factor, I've added a new commenting plugin called Disqus (that's pronounced "discuss" not "discus"). This is a third-party website/service that keeps track of all comments you make from any website that uses the Disqus plugin. So, yeah, it's a little chicken-before-the-egg kinda thing, but it looks slick and will be implemented on many more blogs soon.

The downside is, while I do still have access to all the previous comments on this blog as administrator, the slate has been wiped clean of all comments from your point of view. So . . . start commenting. The first time you comment, go ahead and register (you can enter your user information, website, email, facebook id, twitter account, upload an avatar, etc....).

We will see how it goes. And if you want me to dig up your comment from a previous post, just ask me and you can re-comment if you wish. Oh, and here's the link for the Disqus website: disqus.com

Domesticated Feline

Posted on by Wess Foreman


Domesticated Feline 24x24" - $400

This painting came together very quickly for me, and I like the muted colors and the serene look of the cat. Once again, the reference photo was very important in getting the details right. Looks good in person.

Lonely Milkshake

Posted on by Wess Foreman


Lonely Milkshake 18x24", $350

This painting actually came from a detail of another painting - I had the photo of the painting magnified on my computer and I noticed how nice the composition was. It's different, but with the subdued color palette and the simplicity, I really like how it turned out. I took this picture before adding my signature . . . and I might add a straw to the milkshake.

Enjoying the Match, Final

Posted on by Wess Foreman


Enjoying the Match
18x24", $350

Here is the finished painting (I had posted the almost-finished version here but wasn't quite happy with it). The main thing I changed is that I removed completely the odd blue-man on the left side - the main thing that bothered me was simply that it appeared as though he were wearing the horse and rider as an over-sized hat. I tried moving the figure down and forward but could not quite make it work, so I made him invisible (as seen here). This allowed me to add a clearer version of the fourth chair on the left.

I also clarified the figure in red and added little touches of color here and there, amounting to a great deal of fiddling with the painting until I finally realized it wasn't making the thing better. Oh, yeah, I also added the polo ball (I don't know if it has any other name?)

An interesting observation I made while painting this one: I often see a painting similar to this, depicting slightly awkward, slightly stiff [and certainly stylized] characters and think, "that's cool." However when faced with a similarly rendered figure in my own paintings, I tend to think, "that's not cool." And I usually commence to "fixing it", making it more naturalistic, more realistic. Just an observation, and I suppose it depends on what the artist is going for in the end. Me? I'm happy with anything that works, anything I like - I just have to remember what i like.

Enjoying the Match

Posted on by Wess Foreman

Enjoying the Match, 18x24", $350

I might do a little more touch up work on this one, not sure. I like the color palette of this painting - there's just something different about it. Might have more to do with the proportions of the different colors, and I'm not sure if it comes off as interesting in the photo or not..

Rosemary

Posted on by Wess Foreman

Just another old sketch of mine. I had the thought of doing a framed series of these type pen and ink drawings of various plants or herbs. I still might - who knows?! The problem with pen and ink from the narrow perspective of a canvas painter is that you run into the problem of framing the artwork . . . dealing with glass, keeping it flat, keeping it dry, picking out and purchasing frames ahead of time - oh, and don't get me started on matting . . . man!

Painting 101 - Part 3 The Importance of Diving In

Posted on by Wess Foreman

It's been a while since the last installment of my Painting 101 series. Not sure if anyone read the other two, but, after rereading them myself, I'm pretty happy with how they turned out. Someone, someday, might find the information helpful, so I will try my best to keep it up despite the large gaps of time that may appear between posts. The idea of this series is to provide some basics of the painting process for beginners. If this subject interests you, you might want to start with the first post of the series.

This time, at the risk of being repetitive, I just wanted to re-emphasize the importance of not shooting for perfection, especially during the early stages of the painting process. While some disciplines may demand this approach - I'm thinking here of surgeons, sky divers, and possibly builders of intricate card houses, though I have no experience with anything more than two-story hovels - the painting process, for the most part, takes the opposite stratagem: starting with a rough draft and perfecting the image as the process goes along (sometimes waiting until the final stage to add the detail). To demonstrate the process, I present exhibit A, B, and C - the three sketches to the right. The first, demonstrates that a child can handle the initial sketch for you if need be. Though I generally recommend drawing or painting the entire thing yourself to get the full effect. While this is a pen and ink drawing as opposed to a painting, the idea is the same: just get something down right away, a launching point, something to break through the cold white of the canvas, something upon which to improve.

The second photo shows a refinement of the initial sketch (in "real life" this would be more like my initial drawing or painting, but this is merely a demonstration). Indeed, in my own paintings, I find the process to be merely a series of corrective action until it finally looks close enough. I should point out, you might as well paint or draw the initial sketch as well as you are able - in fact, if you are perfect, go ahead and start with the final stage [and congratulations for being perfect] - but the point is, one shouldn't spend all day on these early stages; the idea is get something down and move on. Too often we put off doing things in life just because we want to need to see results right away - "guilty as charged," though I have managed to get over this hurdle for the most part in my paintings.

And, Voila! - the final photo demonstrates my ultimate genius. Well . . . It does demonstrate the fact that acrylic painting [and oil painting] has the advantageous property of being able to hide initial sketches and under-paintings of the painting process - if pen and ink can [almost] achieve this, I know paint can - it's an opaque medium, after all. That fact is quite liberating, isn't it? Well, it can be. It gives you permission to experiment, to be bold, to try out different colors and techniques. Cool, eh? Anyway, take a look at the first photo again. Now look at the final photo. No, it's no masterpiece, but compared to the initial drawing, it has come a long way. So the moral of the story is: don't be self-conscious of your painting, be confident in where the painting is headed, don't give up on your painting too early, and have fun with it.

And that's the importance of diving in. Next time, we'll wade into an actual painting, and I'll bring along some actual photos showing an actual painting in progress [yummy]. Until then, go ahead and get started! Send in photos of your own first attempts, if you would like [wess - at - wess foreman dot com] - I'd be happy to give you some pointers or encouragement. In the meantime, let me know if you have any questions on the subject, something I might have forgotten or wasn't clear about. We will reconvene very soon [I'm sure] for Painting 101 - Part 4. Class dismissed.

Please leave me a comment if you liked this article, disliked this article, or if something was wrong or right with what I wrote. Thanks!

Screen Time

Posted on by Wess Foreman

This is a contour drawing from many years ago. I just ran across it in an old sketchbook and thought I'd throw it up here - I still get the feeling I posted this one already, but whatever. For your viewing pleasure...

Under the Canopy

Posted on by Wess Foreman

I was just going to do a quick sketch of the seated figure [the one in the detail] while waiting for some paint to dry. It was going to fit nicely in a blank space in my notebook/journal/planner thingy. That sketch quickly grew to encompass the entire spread. Good thing I was through with all the info on these pages, eh?

New Look for the Blog

Posted on by Wess Foreman

If you haven't noticed, I'm trying out a new look for the Open Studio. I like the fact that it's a simple theme, with one main column. I still need to configure the menu on top, as it's a little sparse. If you have any opinions on the new look or suggestions for improvements, I'd love to hear them. Let me know if you find anything not working as well: I've only tested this on the Firefox browser, so if you're using Internet Explorer, for instance, let me know if it looks good. I hope to be posting more regularly now, so check back often, and thanks for visiting!