creativity by wess
Posted on by Wess Foreman
I generally get sick by the end of the year and I'm usually too tired to think about showing artwork in January, but this year I intend to show at two -- count 'em -- two art markets this month. Come find me at the following locations (follow the annoying cough-cough-cough sounds to find my booth):
The Madisonville Art Market -- Saturday, January 15th (that's this coming weekend) on the Tchefuncte River
The Palmer Park Art Market -- last Saturday of the month (Jan. 29th) in New Orleans Palmer Park
See you there!
Posted on by Wess Foreman
I got sick somewhere between Christmas and New Year's, and I'm still living with a hacking cough. So my return to painting (or anything creative, for that matter) has been a slow one. That said, I am pushing paint around now and there are five or six canvases in my studio with the beginnings of paintings on them. The first one to reach completion is pictured below:
Bull Terrier Stare, 30x24", $300
It's a bit stiff in style, but that's part of its charm -- that, along with the color pallet and the textures -- and as the wife pointed out, bull terriers are a stiff and angular dog breed . . . and that's just how they look.
Touché, wife. Touché.
Posted on by Wess Foreman
I have two art markets this month
I will have a booth at the 7th Annual Christmas Past Arts & Crafts Street Festival in Mandeville on Girod Street (from Trailhead to Lakefront) on December 11th -- that's this Saturday -- from 9am to 3pm.
I will also have a booth at the Palmer Park Art Market on Sunday, December 19th from 10am to 4pm -- located at Palmer Park in the Carrollton Section of Uptown New Orleans (At the corner of S. Claiborne Ave and S. Carrollton Ave).
Posted on by Wess Foreman
I will be at the Madisonville Art Market this Saturday (Nov. 20th) from 10am to 4pm. Stop by if you're in the area -- sorry for the short notice, I only just entered the show. Thanks, that is all.
Posted on by Wess Foreman
This is the day after the Three Rivers Art Festival. For myself, it is a day of reflection and recuperation. A day of somber aftermath which is echoed in the muted grays of the overcast day outside my window. It is not a sad day, however -- in fact there is much to be happy about. It was a great festival, and I made a good many sales and met some great people. The first day was long but busy, with nonstop foot traffic. The second day was overcast and rainy, but I still managed to sell a painting during one of the downpours.
And here I am. The day after. The calm after the storm. The festival aftermath. I wonder how long this time of contemplation and recovery will last. I wonder if I will be up for another art market by the end of this month or the beginning of the next. I wonder if all that cold wet waiting I went through yesterday will lead to a sore throat or stuffy nose tomorrow. Anyway, I'll be sure to let you all know when I will resurface again.
Thanks to all those who made it out to the Three Rivers Art Festival. It was, on the whole, a fantastic event, and I plan to return next year if they'll have me. For now I have these two new commissions to complete for the holidays. Thanks again!
Posted on by Wess Foreman
UPDATE: These paintings may be still around, but I cannot guarantee that.
I'm getting ready for the Three Rivers Art Festival by clearing out some of my older paintings - paintings I will definitely not be bringing with me to the Festival in November. So these ten paintings (pictured in a group-shot down below) are up for grabs. I am not listing their original prices because that's neither here nor there - I will accept almost any amount. Name your price - keeping in mind I'll be paying for shipping and the fact that I'm a starving artist with a preschool kid and a wife to feed. Tell you what, if your offer is too low for me, I'll let you know - I don't want to lose any money on the deal - I reserve the right to refuse any offer.
Seriously though, this is the perfect opportunity to buy a couple of Christmas gifts. Click on the thumbnails to view larger versions. Let me know if you need exact measurements or any other information. Email me with any further questions and to place your "bids" (though this is not an auction - if your offer is acceptable then it's pretty much first come, first serve). I'll email you back to let you know if your offer is accepted or not and to let you know where to send payment, etc. My email address is wess at wessforeman dot com!
Thanks in advance!
--wess
Posted on by Wess Foreman
I'm happy with the new easel I built. I haven't used it yet but it should work as advertized :-) I'm not quite done with it but it's basically finished - more on the easel and it's construction on my tumblr blog: wessf.tumblr.com. Pictured below is my old A-frame easel (obviously homemade) alongside the new one. It's definitely an improvement, but do you think this will improve my painting? Sadly, probably not.

Posted on by Wess Foreman
I had a tough week in terms of motivation and I ended up focusing on anything but painting for much of it. That said, here are four new paintings (well, I painted the gas pump months ago, just that no one's seen it yet).
New Orleans Street Car #10, 11x14", SOLD
New Orleans Landscape, 16x20", SOLD
Premium, 30x24", SOLD
American Flag #6, 24x18", SOLD
All four are sold.
Posted on by Wess Foreman
As a change of pace [and in penance for not posting any finished paintings yesterday] I figured I'd post a few snapshots of paintings in progress. Most of these are only initial block-ins of paint, lacking detail, but perhaps interesting to someone.
First two paintings below are birds-on-wire subjects [of course], both are 20x20". I plan to keep these simple and loose. Most of the work on these will be adjusting the "balance" of the birds in the paintings, and the technique I will be using will be to treat the birds and wire as negative space, whittling away at them by laying in the light blue/white of the sky around them, cutting into the darker shapes to form them. The first painting might need a few flying/landing birds to add more interest, and the second painting could probably use some detail in the house (like maybe some green slats on the face of it, leaving dark shadows between the slats).


I like the loose fingerpaint-feel of the streetcar painting below (11x14"). I also like the tone of green I've started with here - it's not quite the same as the reference photo but I'll probably stick with it. This one just needs a few choice details I think. (please forgive the out-of-focus-ness and odd lighting of these, by the way - I did call them "snapshots" on purpose, afterall!)

The next will probably remain the loosest of all these [I'm sensing a theme here]. I'll probably be adjusting some of the color in the sky a bit and adding more interest in the dark land mass below as well as laying in the white of the river in a thicker layer of paint. Other than that, I'm liking the abstract feel of this one. (you just have to trust me that the painting is ten times better in person than the representative snapshot here)

The last two here (both 14x11") are a bit less inspired. I'm painting the egret because I've had requests for egret/swamp type subject matter - it's rendered a bit stiff for me in its current iteration, so I'll be loosening it up some more, maybe adding some encroaching cypress branches or spanish moss or what-have-you. The cat painting is for cat lovers - who else - not sure how much more I'll work on this one. It's fairly interesting as is but I suppose it could use some more detail and the ever popular "what-have-you".


That's all for now. Thanks for stopping by!
Posted on by Wess Foreman
Six paintings this time - two of these I painted a few months ago but I don't think I've posted online. I like the Lonely Milkshake paintings here - I suppose it's because I give bonus points whenever I can pull off good abstract painting - and that rooster is pretty intense, if I do say so myself [I might reduce those two "sharp" lines underneath the rooster's head though - they look out of place there]. The American Flag is probably the most realistic version I've painted [if a little soiled and dripping in mud]. I usually angle toward abstracting the flag series paintings, but I got to this point and figured it was finished.
A Captive Audience #11 - 11x14", SOLD
Dragonfly Parade - framed - 18x36", SOLD
Lonely Milkshake #3 - 30x40", N/A
Lonely Milkshake #2 - 30x24", $450
Rooster - 14x11", N/A
American Flag #5 - 24x11", SOLD
Posted on by Wess Foreman
I'll be posting my usual Friday post later on this evening - I've got at least a handful of new paintings from this past week. Right now I'm cleaning out the garage/studio. I'm fighting cobwebs and dust; wish me luck!
Posted on by Wess Foreman
Here's the next batch of paintings building toward the Three Rivers Art Festival. I have two or three others finished, but it's raining right now and that prevents me from photographing any of them - I might post them later today if I get a chance. Happy Friday!
A Captive Audience #10, 12x12", $100
A Captive Audience #9, 20x20", $300
Concrete Angel, 30x24", $400
A Gaggle of Geese, 30x40", $800
Posted on by Wess Foreman
I painted this daschund commission a while back. I don't think I posted any images yet, but I took plenty of photos of the process with this in mind.
Step one: (as pictured) procure a canvas - often-time I'll apply a wash of color just to eliminate the glaring white of the canvas to start with. Step two through four: block in the basic shapes and color. The idea is to use a large brush and cover up all the canvas - I almost think of this part of the process as getting to position one (position one being the fourth image . . . where you have a basic starting point, something to alter and eventually perfect - something to move toward the finished piece.)
Step five through seven: perfecting the image - taking away parts that shouldn't be there, adding parts that should. Altering color as I go and adding basic textures here and there, then moving into the finer details with smaller and smaller brushes and edging toward final textures and colors. Sidenote: when I get in trouble with a painting is usually when I start in with smaller brushes too soon - doing this tends to cause me to try for the final step first rather than last, and then anything resembling perfection in my mind becomes unchangeable and ultimately a major problem, unsurmountable without a total redo of the piece (because it's never perfection).
Roxie Commission, 24x18"Final piece turned out great I think. It's usually a good sign when you finish a painting thinking it's good enough to call finished and then see the painting or a photo of the painting again several months later and think, "Hey, that looks great!" There is much less detail here than there appears to be - there is detail where it counts and that's what really counts. Also, I kinda like the muted color pallet I went with here - it works, you know?
Wish to commission your own portrait? See my pricing page. Have more questions or comments? See my contact page. Thanks for stopping by!
Posted on by Wess Foreman
Glancing around my makeshift studio I can make an educated guess that I've started and worked on at least a dozen (12) paintings this past week, but I've only got two finished and photographed for this friday morning. That'll be fine. Just means that there should be more than two in next friday's post. Perhaps three, maybe more. Anyway, here they are:
Posted on by Wess Foreman
Exciting news: I have been accepted to show my artwork at the Three Rivers Art Festival this year! Mark your calendars (well in advance). The Three Rivers Art Festival runs from Saturday, November 13th to Sunday, November 14th - 10am until 5pm daily, in downtown Covington. I will be there with a double-size booth full of new paintings. This is the biggest show I've ever shown in, and it should be exciting and exhausting and lots of fun. More details at threeriversartfestival.com.