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dragonfly #1

Posted on by Wess Foreman

dragon_fly_1.jpg

dragon fly #1
6x4" - sold

I found this nice striking-red dragonfly online and just had to paint it for this series. I call this dragonfly #1 because I'm definitely planning to paint at least one more dragonfly [they just fit so well in this small format].

Please leave me a comment. And if you’re interested in purchasing this or any other postcard painting, contact me with the name of the painting you’re interested in - first come, first serve. Don’t forget to include your name and email address. I will email you back with further instructions. Thanks!

curious pups

Posted on by Wess Foreman

curious_pups.jpg

curious pups
4x6" - sold

These were two of the puppies from our chocolate lab's litter - we still have the black lab, full grown now.

Please leave me a comment. And if you’re interested in purchasing this or any other postcard painting, contact me with the name of the painting you’re interested in - first come, first serve. Don’t forget to include your name and email address. I will email you back with further instructions. Thanks!

scissors, needle, and thread

Posted on by Wess Foreman

scissors.jpg

scissors, needle, and thread
4x6" - $35

This one began with just the pair of scissors - a primitive looking pair of scissors, at that. I didn't think I'd ever get it detailed enough to make a decent painting of it, so I decided to work a little longer before finally giving up and painting over it. But the more I worked on it, I found, the more detail began to show itself. Finally, pleased with how the scissors appeared, I could tell it just wasn't complete. The composition needed something more, something to add interest and movement to the piece - excitement, even - to the lonely pair of scissors. So, with a few careful brush strokes, I added the needle and thread, and that made all the difference, I think.

Please leave me a comment. And if you're interested in purchasing this or any other postcard painting, contact me with the name of the painting you're interested in - first come, first serve. Don't forget to include your name and email address. I will email you back with further instructions. Thanks!

paint tube #1

Posted on by Wess Foreman

paint tube #1

paint tube #1
4x6" - $35

Okay, first Painting-A-Day painting. Simple subject matter painted in a simple monochromatic color scheme. Paint tubes are readily available around here, and I ended up doing two of these (I'll post the second in a few days). I completed this in a single sitting. It took somewhere around thirty to forty minutes, all told. I started with a quick pencil sketch to make sure the tube was positioned properly. Working with these tiny panels, I find that positioning is even more critical than when painting on larger surfaces.

Not to get even more obscure with this background information, but when I was working on the final details of this painting [or 'sketch' if you'd prefer] - adding in the faux text and faux graphic design elements printed on the tube - I was pleasantly recalling the Graphic Design classes I took many years ago at LA Tech and the entirely absorbing exercises we'd have to do, reproducing whole magazine pages using this "faux text" technique with markers. The idea is to give the faux text the same "weight" as the original text - in other words, balancing the "faux letters" and the "faux negative space around those letters" to the same degree as that of the original letters [and the original negative space around those letters]. Good times. Anyway, more to come.

Please leave me a comment. And if you're interested in purchasing this or any other postcard painting, contact me with the name of the painting you're interested in - first come, first serve. Don't forget to include your name and email address. I will email you back with further instructions. Thanks!

Painting A Day Series

Posted on by Wess Foreman

We'll see how this Painting-a-Day series goes. I will attempt to post a new painting every weekday (and possibly on the weekends - we'll see) for most of February, beginning Monday Sunday, February 3rd. This is starting to sound more and more like a stunt, isn't it? Like I said we'll see how it goes.

All paintings will be available for purchase. They will be painted on 4x6" Masonite panels, signed, unframed, and priced at $35 a piece (I will cover shipping costs). Make sure to come back often and leave comments when you do! Also accepting reference photos from which to paint (keep in mind these are small paintings and therefore detail-dependent photos might not work as well). So, please email me any photos I could use (wess at wess foreman dot com). Thanks!

flickr: Library of Congress

Posted on by Wess Foreman

storefront.jpgThe Library of Congress has recently uploaded over three thousand photos to the online photo-sharing site, Flickr.com. These are amazing full color images from a time before I was around. In lieu of attempting to get all the facts right (and probably missing something), I'm just gonna link to The Library of Congress Blog post (did you know there was one?) and here's The Library of Congress's Flickr page.

Tammy Taking Note

Posted on by Wess Foreman

I have long been a slacker in terms of keeping up any sort of sketchbook. I make no secret of it. And just because the spirit of the new year is still hanging all dewy in the air, does not mean I expect this recent bout of sketches to continue, ad infinitum. But I'll do what I can for now - it's good for me and might also be entertaining to some of you.

Here's a sketch I accomplished in one sitting from an actual live model; my wife. I call it, "Tammy Taking Note," though in reality she was playing an electronic Sudoku game (I replaced the stylus she was holding with a pencil in the sketch).

sidenote: did you know that Sodoku (with an "o" as the first vowel) is the name of a zoonotic disease - a form of rat-bite fever? I didn't until I looked up the wrong spelling of Sudoku on wikipedia.

Wessforeman.com

Posted on by Wess Foreman

In case you have not already noticed (or been notified), the website name is now wessforeman.com instead of wessf.com (which is no longer mine). It's a long story, suffice it to say, steer clear of vizaweb.com if you need web hosting, and definitely do not register your domain name with them (for they will not register it in your name, but in their own).

But I harbor no hard feelings - not many - and life goes on. Besides, wessforeman.com (wesforeman.com also works) is, in some ways, a better name anyway - no need, for instance, to explain the awkward spelling: "w-e-s-s-f-dot-com" - I can now simply say that it's Wess Foreman dot com.

Along with the change, I've also changed the name of this blog to "open studio" and plan on posting only art/creativity related posts here. I've created a separate blog for all other stuff - check it out here: popularblur.com

Along with the new domain name, I've taken on a new look for the site as well - a little too austere perhaps, but fresh and new and ready for the new year and new content to go with it! All that to say: don't forget to change any old bookmarks to the new site. And welcome to the new wessforeman.com - expect much in the way of new content and come back often!

Vacancy

Posted on by Wess Foreman

Sketched this from a photo of my brother, Micah, and his wife, Jill. The drawing only slightly resembles them, due to my disregard for the perfection of the thing, and the title refers only to the "vacancy" sign in the top-left corner of the sketch and not to the vacant, tired look in my brother's eyes (though to tell you the truth, that could just as easily have been the inspiration for that same title, for the look was indeed captured perfectly well in the drawing).

WebUrbanist

Posted on by Wess Foreman

WebUrbanist is a blog of "urban design, culture, travel, architecture and alternative art." It's a fascinating look at the cluttered world around us. Geek graffiti, surrealistic sculptures in public places, and other ironically intellectual "art underground" blog posts abound. It's definitely one to add to your RSS reader.

Bent Objects

Posted on by Wess Foreman

Terry Border is an artist who creates tiny sculptures out of found objects - that, combined with a love for photography and a great deal of quirky humor thrown into the mix, make Bent Objects a must-see website! He's also working on a book of his little creations. Check it out; it's great! (discovered it via BoingBoing post)

Painting 101 - Part 2 The Beginning

Posted on by Wess Foreman

Canvas ready? Brushes? Paint? Here we go. First we should select our subject matter [nothing worse than staring at a stark white canvas without anything to paint]. My suggestion would be a still life arrangement - you know, fruit, bottles, vases, drapery, whatever - or maybe a landscape. Anything would work for a first painting, but I would suggest against starting with a portrait (people, pet, or otherwise) unless you have some skill at drawing already. The only problem with starting with people is that we all think we know what people look like - I mean, you draw a circle for the head, two small circles for the eyes, nose, mouth, maybe some hair on top, viola! Right? Problem is, when you paint something that is familiar to you, such as faces, you tend not to really study the thing you are painting, and without studying, you will end up with little more than a lifeless stick-figure face. It is very hard to break this tendency - even for myself.

Some artists might argue against using photographs, but I say go for it. Photographs only make things easier. First of all, the subject matter is already in two-dimensional form which is the same as the painting - sometimes I will even get out a ruler to measure certain key objects in the photo [the painting generally won't be as small as the reference photo, but the proportions should all be the same]. Whether you choose to paint from a reference photo or from real life, you definitely need to be looking at something [that is sort of the point, I think].

Once you have your subject matter decided upon, you will want to lay out your paint. Go ahead and squeeze out all the colors you have or think you are going to use - if you would rather, there is a technique called grisaille where the painting is first painted in shades of gray, the color added after everything is in its place [in which case, just lay out your black and white paint for now; it's up to you]. Either way, you want to start with plenty of paint - better to throw away some paint later than to be interrupted by having to squeeze more paint every few minutes.

Step One: Start.

One of the hardest parts of a painting is getting past that giant expanse of pristine canvas. It is a psychological barrier, those first few brush strokes, but one that can be overcome with the help of a few techniques. First, you could give the canvas a colored background - I have started many canvases by brushing on a layer of watered-down Raw Sienna, for example, to give the painting a warm, non-white starting point. Another option is to start in with a large brush, blocking in the major "shapes" that make up the scene you are depicting. You are also free to pencil in the scene ahead of time - though I wouldn't recommend spending too much time and effort on this step since it's all going to get painted over anyway. Just get the main shapes down and start in with the big guns [the paint]. The main thing to remember at the outset is that everything you are doing now is just the first step in a process, the end of which will in no way resemble this meager beginning. Once you get that in your head, it should help relieve any anxiety you may be experiencing. Most of my paintings look horrible up until the very end; it is the confidence of eventual success that keeps me going. Keep that in mind and don't give up!

Different people will have different painting styles: some will start with a detailed drawing and every step of the way will present yet another iteration of a tight, precise composition until every detail is accounted for; others will muck around with an unrecognizable blur of color and shape until, eventually, and ever so slowly, the details will present themselves at the very end; as for myself, I fall somewhere in between - I tend to get some sort of detail on the canvas rather early and then struggle for the rest of the time with the business of correcting my own mistakes at every turn. Once I get enough mistakes corrected, what's left is, hopefully, a finished painting.

That should get you started - keep going! I'll write another installment next Wednesday. Post your comments below if anyone is reading this.

Painting 101 - Part 1 Prerequisites

Posted on by Wess Foreman

So, you want to try your hand at painting but have never tried it before? Perhaps I can help. Painting is not hard. It just takes some practice and an afternoon.

Prerequisites
There are a few skills that are nice to have at your disposal (though not at all necessary to begin). A steady hand is a good thing - some level of drawing ability is even better. Basic knowledge of color theory would be another plus. And, along with rudimentary eyesight, observation would also a very useful tool to have at the ready.

As far as materials: Paint would be good - acrylic paint would probably be best for a beginner (any cheap brand would be fine to start with), though watercolors would be a fine starting media as well. Oils require a bit more knowledge and tend to be more dangerous, but if you've gotten more information on the subject and are comfortable with them they have the potential to make great masterpieces (same as the water media).

There are many colors to pick from of course. Here are my recommendations for what to start with (if any of these are not available, just get the closest color you can find) - Bare Minimum: Titanium White, Ivory Black, Ultramarine Blue, Cadmium Yellow Light, and Napahthol Red Light - Additional: Yellow Ochre or Raw Sienna, Burnt Umber, and Hooker's Green. More about color at a later time.

The second items needed, would be brushes. Any brushes will do. Most craft stores have kits of various sized brushes bundled together, or just pick them up individually. I tend to use three or four brushes: a large brush (3-4in.) for blocking in large areas of color, a medium sized brush (1in.), a liner brush (the kind with which an artist would sign a painting though I use it more often for detail work), and occasionally a ½ inch brush. Brushes come according to medium and in a broad range of sizes, materials, price, type, class, order, and phylum. Bottom line: just get a few different sizes and then work with what you have.

Third, canvas. Or watercolor paper. Or hardboard. Or cardboard. Whatever surface is appropriate. Canvases come in varying sizes and grades (as in student-grade, professional-grade, et cetera). A beginner would do well to start with whatever size he or she wants to paint on (but common sense tells me to suggest a smallish size - maybe a 11x14" canvas). As to the grade, I would advise you to get the cheapest available - this is, after all, a beginner's painting (plenty of time for your own masterpieces later on). By the way, if you get a large canvas, make sure you also get a large brush to go with it (one usually wants to cover the entire surface with paint) - a house painting brush will do fine for this purpose.

Fourth thing you'll need is water. In a large cup or can or old Tupperware container, your choice. This would only apply to acrylic and watercolor painting - oils and water don't mix.

That's basically it. You might want an easel to make you feel more artistic, though a flat table top covered in old newspaper would work fine, and I guess it would be a good idea to get a palette that can be covered (I use a plastic tray with a tight fitting lid) so the paint will last over several painting sessions, and, while I'm thinking about it, I use a spray bottle of water to keep exposed paint from drying too quickly on the palette. Another thing might be a change of clothes that you don't mind getting paint on. And possibly a beret or some other overtly artistic accessory - I, for instance, keep a keenly trimmed goatee on my person at all times.

Finally, I would suggest a spirit of creativity. Browse the Internet for artist galleries or your local library for books on art. Find a few paintings or artists that you enjoy looking at. Use these examples of creativity to inspire you in your own painting. [I'll stop there before I get too mushy on the subject]

So there you have your Prerequisites for Painting 101. Next time, I'll walk you through exactly what to do to start your painting. Until then, get your materials together - we will reconvene next week . . . let's say, next Wednesday (1/9/08) for Painting 101 - Part 2 The Beginning. Class dismissed.

Please leave me a comment if you liked this article, disliked this article, or if something was wrong with what I wrote. Thanks!

Join me on Twitter and Facebook

Posted on by Wess Foreman

I just wanted to let you know (whoever you are) that I have joined the Facebook online community, though I'm not very impressed and don't update things very much (not a very glowing recommendation, I know). Anyway, just thought I'd mention it, in case you were interested.

On a different note, I have also joined the Twitter online community, which is much simpler and easier to get into. My "tweets" should now appear in the sidebar of this very blog (to the right). If you would like to follow what I'm up to (it's a microblog, of sorts), you can follow me at twitter.com/wessf. I do highly recommend Twitter.com; like I said, it's easy to get into and much simpler than facebook.

North Shore Art Market

Posted on by Wess Foreman

This Saturday, Dec. 8th (10-4) I will be set up on the corner of Boston and Lee Street (diagonally across from Coffee Rani). Come by and enjoy the artwork if you're in the area!

art show updates

Posted on by Wess Foreman

driving.jpgThe Ruston Studio Artist Tour was a little disappointing in that the turnout was poor - though from what I heard, the downtown area was better attended - but I would like to thank Connie Cline (owner of The Pewter Company in Ruston, LA) for graciously sponsoring my artwork. So, thanks Connie - you did everything possible from your end (and then some).

This coming Saturday (December 1st) is the Mayfield's Visions In Art, Artist expo (10am to 5pm at the Holiday Inn in Covington, LA). I am still planning to be there, and I will be bringing my paintings. It will be indoors, so don't let a little rain keep you from coming if you're in the Covington area!

The following Saturday (December 8th) I will have a booth at the North Shore Art Market in Covington, LA (10am - 4pm). This is an outdoor event along Lee Lane in Covington. I am considering bringing an easel and doing some painting, but I haven't decided . . .

Ruston's Artist Studio Tour

Posted on by Wess Foreman

I will be the featured artist at the Artist Studio Tour in Ruston, LA this weekend at The Pewter Company. This will be Friday, November 16th and Saturday, November 17th. The times are Friday evening, 5pm to 8pm, and Saturday all day. Come by and see me!

The Pewter Company
2305 S Service Rd W
Ruston, LA 71270
(318) 513-2907

Get Directions from Google Maps.

Leaning Toward Abstract

Posted on by Wess Foreman

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"Leaning Toward Abstract, paintings by Wess Foreman" is available for sale now. Here are the details: 7 inch square format book, 38 pages - softcover $20, hardcover $30. Available through blurb.com (pdf preview available).

I'm very happy with the results. I'm looking at both the hard- and soft-cover versions right now, and I can tell you, you will want to get the hardcover edition - it has a much more "finished" look to it - and then you can order a few of the softcover versions as Christmas presents, if you want to spend a little less on other people.

And finally, here are a few tips once you receive your copy: #1) for the hardcover edition, use a bit of scotch tape or your favorite Snoopy stickers to affix the dust jacket to the book, itself (otherwise, it will want to slip off all the time), and #2) for the softcover edition, pinching the spine of the book in one hand, use your other hand to gently bend the book one way and then the other, all the way down the spine - you may have to do this with half the pages at a time (this will allow the pages to turn freely when viewing and will hopefully avoid the tendency of the book to tear through the glue of the spine - you have been warned).

I'm already looking forward to doing another book in the future (any suggestions are much appreciated). Happy reading!